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I shall be, perhaps, more lucid if I give, briefly, the history of the vorticist art with which I am most intimately connected, that is to say, vorticist poetry. Imagisme, in so far as it has been known at all, has been known chiefly as a stylistic movement, as a movement of criticism rather than of creation.
So much for the general category. Flaubert and De Maupassant lifted prose to the rank of a finer art, and one has no patience with contemporary poets who escape from all the difficulties of the infinitely difficult art of good prose by pouring themselves into loose verses.
The tenets of the Imagiste faith were published in March,as follows: To use absolutely no word that does not contribute to the presentation. There is no synonym for the Victory of Samothrace or for Mr. A painter must know much more about a sunset than a writer, if he is to put it on canvas.
This belief leads to vers libre and to experiments in quantitative verse. They degraded the symbol to the status of a word. But this is only negative definition. I continued in long series of translations, which were but more elaborate masks.
They are Imagisme, and in so far as they are Imagisme, they fall in with the new pictures and the new sculpture.
The painters realise that what matters is form and colour. Musicians long ago learned that programme music was not the ultimate music. Almost anyone can realize that to use a symbol with an ascribed or intended meaning is, usually, to produce very bad art.
He should depend, of course, on the creative, not upon the mimetic or representational part in his work. An image, in our sense, is real because we know it directly. If it have an age-old traditional meaning this may serve as proof to the professional student of symbology that we have stood in the deathless light, or that we have walked in some particular arbour of his traditional paradiso, but that is not our affair.
It is our affair to render the image as we have perceived or conceived it.
By that I do not mean that it is a perseveringly imagistic performance. The permanent part is Imagisme, the rest, the discourses with the calendar of saints and the discussions about the nature of the moon, are philology.
The form of sphere above sphere, the varying reaches of light, the minutiae of pearls upon foreheads, all these are parts of the Image. I do not mean that I found words, but there came an equation… not in speech, but in little splotches of colour.
But it was a word, the beginning, for me, of a language in colour. I do not mean that I was unfamiliar with the kindergarten stories about colours being like tones in music.
I think that sort of thing is nonsense. I only felt that some one else understood what I understood, and had written it out very clearly. Any mind that is worth calling a mind must have needs beyond the existing categories of language, just as a painter must have pigments or shades more numerous than the existing names of the colours.
That is to say, my experience in Paris should have gone into paint. What I have said of one vorticist art can be transposed for another vorticist art.
But let me go on then with my own branch of vorticism, about which I can probably speak with greater clarity. All poetic language is the languge of exploration.’Man’s motives in different subparts of the same organization may be different’ [Edgar Schein].
Discuss. (CSE / words) Leadership is the ‘influential increment over and above mechanical compliance with the routine directives of the organization’ [Katz and Kahn].
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’Man’s motives in different subparts of the same organization may be different’ [Edgar Schein].
Discuss. (CSE / words) Leadership is the ‘influential increment over and above mechanical compliance with the routine directives of .
Introduction. For more than thirty-eight years, I have taught Reformational Philosophy at Dutch state universities. Every two years, I deal with the topic of Ethics of Technology. As a thinker about the relation between Christian faith and technology, I have always been much interested in this subject.
Cultural imperialism comprises the cultural aspects of vetconnexx.comalism here refers to the creation and maintenance of unequal relationships between civilizations, favoring the more powerful vetconnexx.com, cultural imperialism is the practice of promoting and imposing a culture, usually that of a politically powerful nation, over a .