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Craft Notes Teaching Creative Writing: Syllabus as Story, Story as Scaffolding A syllabus tells a story. The story I work to make mine tell is, It all fits together. The components stack upward and outward.
They accumulate height, width, and depth. They maintain stability through connection. And they begin to contain space.
When the scaffolding is removed, this something—if all goes according to plan—stands on its own. So I can only speak for myself: I listened to myself give myself the lamest of answers: These are pedagogy basics.
But what I needed, and needed badly and continue to needwere these basics. What follows are examples of scaffolding from an introductory fiction course I taught last summer. We used two texts: We also read many pieces from literary magazines, story collections, and literary blogs.
The course was divided into two phases. In the first, the students read a bunch and wrote exercises. In the second, we workshopped their fiction. The five exercises summarized below are a. Exercise 1 — Headlights in the Dark: They take these answers home. This is now their opening passage.
They write forward from there, resisting the urge to stop and plan, to outline. LeGuin on sound excerpted from Steering the Craft.
Exercise 3 — Paradigm Shift: Exercise 4 — Radical Revision: Exercise 5 — Narrative Spandrels: After discovering these spandrels, the students revise the piece, creating new scenes and a new ending.
This arc is supported by in-class discussion, compositional and reflective freewrites, imitation exercises, and as much pedagogical transparency as possible. The more I chew on pedagogical matters, the more I taste how much there is to learn.“One of the funniest stories in Keret’s new collection is The New Yorker.
My father said to me once, “In half of your stories the father character dies and in the other half he is just plain stupid, but in all of them I feel that you love me.” vetconnexx.com by Etgar Keret is licensed under a Creative Commons Attribution.
At Fiction Advocate our mission is to integrate transformative literature into everyday life. We do this by championing innovative fiction, dynamic criticism, and emerging tools for writers, with an emphasis on underrepresented perspectives.
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Out of the creative writing by etgar keret analysis of death comes writing new heros.
Physical, psychological, or professional. Physical, psychological, or professional. The hero journey possession of the treasure heros by facing death.